![]() |
SstudentTutorials |
![]() |
My time table today |
A lots problems needed check..... Thanks Kelly!!! XXX
Kelly taught me new words in my Research in Practice. Decomposing is a significance new word today, because I founded mildew it is not right word in my work.
Checked by Kelly Page 4 &Page1 |
Checked by Kelly Page 2 &Page3 |
Research in Practice
MA
Fine Art/ Hsuan Liu
My work shows the
transition from decomposing organic food to silicone food object. I choose
decomposing food because it is limited and produces an uncomfortable smell. However I took high quality, fashion photos and sold the
rotten food ‘Any 3 for £1‘at studio. During this project,
I chose to recreate the food using silicone giving
a new life to my work. Then I wanted to do something new but compared my
concept to poison food in Taiwan.
![]() |
http://justinlogue.wordpress.com/2011/12/20/exerts-from-dissertation-aspects-of-appropriation/ |
Readymades of Marcel Duchamp
Dadaism
is very significant art doctrine that stopped painting and produced begin
readymades when Duchamp put a fountain onstage.
He used a normal object for art that was a part of the impacted change on art in 1917
"I'm not at all sure that the concept of the
readymade isn't the most important single idea to come out of my work." Duchamp
said (RE: Tomkins: Duchamp: A
Biography, page 158. http://en.wikipedia.org/wiki/Readymades_of_Marcel_Duchamp#cite_ref-Tomkins_page_158_1-1 )
An object
is a piece of art work when someone thinks it is important, meaningful for
someone, because it is cared for by people. Sometimes, it is not beautiful work
which is different Baroque, but in my opinion it
is very abstruse, narrative for artists and
visitors to think of the meaning.
Anya Gallaccio
She use
material from nature. She uses organic matter to decay and rot at the Gallery. For
example, ‘Red on Green’ that shows flowers that were red, flashing and spry
until they dry and fade on the floor. (RE: https://www.youtube.com/watch?v=MpYt5DjuBAU ) The process is therefore an
important thing because we do things now which are a small things but there are
life and we are breathing them in.
![]() |
ARTLURKER A Miami based contemporary art newsletter / blog |
Neal Rock
I bought
a picture album about Neal Rock’s exhibition “Fanestra and Other Work” at The
New Art Gallery in 2009. His work resembled a statue made of pottery because of
its colour, smoothness and slickness. In his work I like his colours better
then shapes as his colour are sweet and encourage girl like me mood as ordinary, exquisite. On the other hand, the shapes
was as like sadness, ill, rotten situations. Those two were very different ideas
from my opinions as they emotions of emotional and sensitive feelings. Rock’s
was statue on the pedestal and paintings on the wall that was interesting point
for live paintings.
“Rather his works speak, or perhaps one should better say
his works ooze, of a cultural moment of which these things are symptomatic or
euphemistic. Is it any wonder that Rock’s works invoke a sweetness that cannot
be separated from petulance, pestilence and pustulance? Is it so surprising
that his infection/confections seem perpetually to spread, enveloping
themselves and their environs in a kind of bloated baroque theater? And
considering that Pollock needed fluidity in the ordering of his material to express
his age, is it any wonder that Rock needs materials that ooze, cake, clump and
clot?” - Christopher Miles, February
2006 (excerpt from exhibition ‘Pingere Triptych’, Grand Arts, Kansas City
Missouri, USA)
His work is very
interesting and imaginative, because I saw his work I thought of it is pottery
material talking about the life of rich people, romantic and candy like
interaction. I thought it was strange when Yvonne suggested Rock to me, because
I did not think of his work as decay, rot, symptomatic or euphemistic decomposing
include organic in form. Now, I
know the problem was I could not see a part of similar his work which was smooth, hanging down, and sick.
And this curator nature had wrote Neal Rock had researched in Jackson
Pollock and agreed with me, because their work is both very random.
Additionally, Neal Rock's sculptural paintings or
painterly sculptures cling to the gallery walls in squirming hallucinatory
heaps like so much psychedelic chewing gum. The overall impact, like that of
the horror film special effects the artist so admires, is inescapably
nauseating yet somehow enticing. This is fine art that flaunts its blatant bad
taste. There's a similar collision of art-historical knowingness and kitsch
indulgences in the prints, paintings and animations of Gordon Cheung. Great
historical images such as Dürer's The Four Horsemen Of The Apocalypse and
Goya's Disasters Of War have been digitally distorted and laser printed. Cheung
embodies terminal dramas in multicoloured painterly smears that appear
amateurish.
• New Art Gallery, to 1 Nov
“His choice of material and processes
aim to develop and transform a tradition of abstract painting, acknowledging
the impact of recent film history and other media.”
Silicone
is material used by Neal Rock, the work includes mixed images of horror films
as constraint and badly mutilated forms. Silicone is a kind of glue that is
extruded out tangled modelling. That is makes me think something about tutorial
with Yvonne who was talk about Neal Rock all the time, because of my last term
my work which was about rotting food. My work is negative, gross, and sick objects that was its idea I wanted
to try this new material- silicone, that is extruded long linear that is represented
like survival, growing, and rot. My experience taught me how to build silicone
work. That was my painting skill, malleability and extensity as well as
learning. And silicone is similar calligraphy because it is a disposable
technique, due to seasoned creativeness that is an interesting way in colour
randomness and it is a challenge to test speed and experience. I never knew
what my work was going to be before I finish it, so this exciting an emotional
expression and sentiment. That is why I like to use toothpaste, I am never
extrude the same shape of toothpaste, because we have different moods every
day. And as dynamical systems theory (butterfly effect) that is a theory (RE: http://www.bbc.co.uk/news/magazine-21713163 ) there is never know what I do now after then
it is good or bad situation. The next step always important and no limit.
沒有留言:
張貼留言